Natasha Kanapé Fontaine

TSHISHIKUSHKUEU, d’après Bleuets et Abricots

interdisciplinary

© Charles
  • "Jour de fête" 15$
  • English surtitles

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Within the Native Woman, isn’t there a force that cannot be dominated? She crosses centuries, continents, and reaches us today.

Natasha Kanapé Fontaine adapts her poetry collection Bleuets et Abricots for the stage. Tshishikushkueu, the Woman of Space, is released from silence and claims to reconnect with the Innu population. A process of reconstruction, a migration in a reconquest of oneself and the ancestral Innu culture of the artist. A unique ceremony, where the poem becomes the invocation drum on a stage inhabited by the performer and haunted by ancestors.

Manifestation combining poetry, slam, singing, theater and performance, the artist brings together the main mediums by which she has been expressing herself for many years. Like several arrows for a single bow, she will stretch the thread of her inner song to call the female spirit of the Innu territory, Tshishikushkueu, in a world première at La Chapelle Scenes Contemporaines in Tio'tia: ke-Montreal.

In Haiti is told the tale of the taïno queen Anacaona of the island of Ayiti Kiskeya: a powerful figure, a warrior, a poet and a musician, who was hanged by the settlers in 1504. Five hundred years later, in 2012, thousands of Aboriginal women march in the streets in Canada. They embody the pan-Canadian movement Idle No More. By this imposing global emancipation of the colonial power, the memory is reborn, the stories and the rites return. They give back to the Aboriginal women their identity as pillars of the clan and the present.

With and by
  • Natasha Kanapé Fontaine
  • Productions Tshishikushkueu